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Ming poetry (and Chinese art and literature in general) is marked by 2 transitional phases, the transition between the Yuan dynasty which was the predecessor to the Ming, and the Qing-Ming transition which eventually resulted in the succeeding Qing dynasty. Although in politico-dynastic terms, the dynastic leadership of China is historically ...
Simonides of Ceos (c. 556 BC–469 BC), lyric poet born at Ioulis on Kea; named one of the Nine lyric poets. Solon (Greek: Σόλων, c. 638 BC–558 BC. Pronounced sŏ'lōn), famous Athenian lawmaker and lyric poet. Sophocles (c. 497/6 BC – winter 406/5 BC), one of the three surviving Classical Athenian tragedians, with 7 surviving works.
Classical poetry movement echoes the forms and values of classical ancient Greek and Latin literature, favouring formal, restrained forms. Major dramatist and other genres figures include Pierre Corneille , Molière , Jean Racine , John Dryden , William Wycherley , William Congreve , and Joseph Addison .
Observing his paintings you see, 'within the painting there is poetry.'" [28] He is especially known for his compositions in the Mountains and Streams (Shanshui) poetry genre, also known as "the landscape" school of poetry, along with fellow poet Meng Haoran. The two poets were often collectively referred to as "Wang Meng" (a combination of ...
[3]: ix In this text, Aristotle offers an account of ποιητική, which refers to poetry, and more literally, "the poetic art", deriving from the term for "poet; author; maker", ποιητής. Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic.
C. J. Stevens (1927–2021), US writer of poetry, fiction and biography; Wallace Stevens (1880–1955), US modernist poet; Robert Louis Stevenson (1850–1894), Scottish novelist, poet and travel writer; Margo Taft Stever, US poet; Trumbull Stickney (1874–1904), US classical scholar and poet; James Still (1906–2001), US poet, novelist and ...
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The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and ...