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The Khattak (Pashto: خټک اتڼ , Urdu: رقص خٹک Khattak attan) is a swift martial attan dance usually performed while carrying a sword and a handkerchief (while not always are they holding a sword and handkerchief) by the tribesmen from the agile Khattak tribe of Pashtuns. Khattak dance is also a national dance of Pakistan. [1] [2]
Both dance forms trace their roots to classical Sanskrit texts, but Kathakali has relatively more recent origins, more closely follows the Hastha Lakshanadeepika text and began flourishing in the 16th century. [76] [78] While each has a different musical and dance language, both deploy a host of similar traditional Indian musical instruments ...
A pioneer in contemporary Kathak dance, she is credited for moving away from the solo form of Kathak starting in the 1960s, by turning it into a group spectacle, and also innovations like taking away traditional stories and adding contemporary storylines into Kathak repertoire. [3] [4] [5]
A pair of ghungroos Kathak dancer Namrata Rai performing with 400 Ghungroos. A ghungroo (Hindi: घुँघरू, Urdu: گھنگرو), also known as ghunghroo or ghunghru or ghungur (in Assamese and Bengali) or ghungura (in Odia) or Chilanka or Salangai or Gejje (in Malayalam, Tamil and Kannada respectively), is one of many small metallic bells strung together to form ghungroos, a musical ...
The end of princely states in post-independence after 1947, brought an end of royal patronage to Kathak exponents as well as gurus. Many started teaching privately. Earlier, under the patronage of Awadh state, Lachhu Maharaj moved to Bombay, while his brother, Shambhu Maharaj, and his nephew moved to Delhi in 1955.
A 2006 multilingual documentary film, Silent Ghungroos, traces the origins of Tamasha in the Peshwa period to its contemporary form, where the form competes with modern entertainment mediums. [ 22 ] Many books have been written in the Marathi language which dwells on the Tamasha as an art, its problem, artist & their contributions.
Aditi Mangaldas (born 1960) is a Kathak dancer and choreographer, who is known for her classical Kathak as well as 'contemporary dance based on kathak" repertoire. [1] Mangaldas is hailed as one of the leading dancers in the field of Kathak in India as well as across the world. [2] Mangaldas has trained under Kumudini Lakhia and Pundit Birju ...
The following is a list of the Gurus of the Lucknow Gharana, beginning with the disciples of Ishwari Prasad: [2]. Wajid Ali Shah (1822 – 1887, Nawab of Oudh and patron of the arts)