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Portrait of Georg Friedrich Händel wearing a mulberry-colored coat trimmed with bands of embroidery and fastened with buttons and loops over a patterned waistcoat (barely visible under the coat) and a white shirt with ruffles, 1749. Man's silk coat with wide cuffs, 1745–1750, in a lace-like floral pattern of white on brown, France.
A ruff from the early 17th century: detail from The Regentesses of St Elizabeth Hospital, Haarlem, by Verspronck A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central and Northern Europe, as well as Spanish America, from the mid-16th century to the mid-17th century.
M. Gilbert DesVoisins, Councillor of State in Ordinary wears a shirt with front and wrist ruffles of fine lace. 1761; Informal country clothes of 1760–62. The long collared coat without cuffs is a "frock". Comte d'Angiviller wears a rose-coloured coat with a fur lining over a flowered white satin waistcoat with gold braid or embroidery.
They did this by also wearing aprons, though the aprons were far more elegant and expensive than the maid's white cotton apron. Popular materials included black lace, satin with chenille borders, shot silk, and satin. [15] An apron of this caliber was necessary with a morning dress during the early nineteenth century for a woman of status. [16]
Full-dress shirts had ruffles of fine fabric or lace, while undress shirts ended in plain wrist bands. A small turnover collar returned to fashion, worn with the stock. In England, clean, white linen shirts were considered important in Men's attire. [10] The cravat reappeared at the end of the period.
This was worn with a white satin or black silk collarless waistcoat, and white neckcloth. For levées, this was worn with matching velvet trousers with a gold lace stripe down the seam. For drawing rooms matching breeches with white silk stockings, and a white neck-cloth was worn. Court dress suit worn by Charles Dickens to a levée in 1870
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