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Jeronimus Tonneman and his son wear collarless coats with deep cuffs and matching waistcoats, worn with breeches, ruffled shirts, silk stockings, and buckled shoes. The young man wears a bag wig and solitaire, 1736. Philippe Coypel wears a red waistcoat trimmed with gold lace under a plain brown coat. His shirt has lace ruffles.
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
She wears a small lace ruff around her neck. Elisabeth Freudenrich wears a gown trimmed with silk ribbons. Her hair is dressed high and two curls frame her neck, 1760. Lady Susan Fox-Strangways's gown is worn with wide, tiered engageantes, 1761. Queen Charlotte wears an elaborate neck ruffle with a large diamond brooch with her court gown.
Dutch vegetable seller wears a black partlet, a front-lacing brown gown over a pink kirtle with matching sleeves, and a gray apron. Her collar has a narrow ruffle, and she wears a coif or cap under a straw hat, 1567. Flemish country folk. The woman in the foreground wears a gown with a contrasting lining tucked into her belt to display her kirtle.
Aprons may be worn at work. Cook with Red Apron by Léon Bonvin. An apron is a garment that is worn over other clothing to cover the front of the body. They may have several purposes, typically as a functional accessory that protects clothes and skin from stains and marks.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
Full-dress shirts had ruffles of fine fabric or lace, while undress shirts ended in plain wrist bands. A small turnover collar returned to fashion, worn with the stock. In England, clean, white linen shirts were considered important in Men's attire. [10] The cravat reappeared at the end of the period.
There were six buttons at the back, two extra halfway down the tails. A black silk flash or wig-bag, and lace frill and ruffles were worn. A white satin or black silk waistcoat was worn, which was no longer to be embroidered (and has four small buttons). The breeches were black velvet, with three steel buttons and steel buckles at the knee.
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