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Over time, the people of Imboca began to die off, leaving only the half-fish descendants of Dagon. They kidnap unsuspecting visitors to either breed or sacrifice to Dagon. Ezequiel could only watch the village go to ruin and lament the villagers' foolishness in worshiping a demon for short-lived prosperity. Paul begs Ezequiel to help him escape.
Grass (1925). The film's producers were mainly concerned with documenting a way of life that was unknown to all those outside the Bakhtiari realm. The film highlights the extreme hardships faced by nomadic peoples, as well as the bravery and ingenuity of the Bakhtiari on their migration in search of grass, which meant abundant seasonal pasture for their animals.
Natural horror is a subgenre of horror films that features natural forces, [1] typically in the form of animals or plants, that pose a threat to human characters.. Though killer animals in film have existed since the release of The Lost World in 1925, [2] two of the first motion pictures to garner mainstream success with a "nature run amok" premise were The Birds, directed by Alfred Hitchcock ...
Canoeing down the river, they eventually stop on the riverbank for the night. They realize that they forgot to bring food, so Tom goes out to catch fish with a flashlight. However, the activity attracts a grizzly bear, which chases them. When Dan falls, the bear seemingly treats him like a cub until he breaks free, following the others up a tree.
The next day, the hunters capture the two cubs, and hold them in the camp, near a waterfall called Grizzly Falls, hence the movie's title. The bear mother is angry, and comes to the camp. Although she cannot free her offspring, she instead abducts Harry to exact revenge on Tyrone.
Whereas a movie like “The Lovers” — or “Unfaithful” — gives off a high-voltage charge of passion, “The Freshly Cut Grass” is relentlessly cool and circumspect. Yet there’s a ...
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
The movie might not have gotten the financing it needed if “No Way Out,” in which Costner starred as a Soviet spy hiding in the U.S. Navy, hadn’t drawn rave reviews in The New York Times ...