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In another attempt to get closer to him, a disguised Nigel wins a talent show to become a performer for a Carnival show that Rafael, Pedro, Nico and Carla are hosting. When Blu tries to pick a Brazilian nut for Jewel, he accidentally puts it in the territory of the Spix macaw's enemies, the scarlet macaws, led by the hostile Felipe. Blu ...
The Real Macaw is a 1998 Australian adventure film written by Bruce Hancock and Matthew Perry and directed by Mario Andreacchio.It was produced and distributed by Becker Entertainment in association with the Australian Film Finance Corporation, The South Australian Film Corporation, The New South Wales Film and Television Office and The Queensland Government through Film Queensland, and filmed ...
Pusić’s solemn supernatural fable opens with a montage of such cases, each of whom confronts Death in his or her own way: One pleads to be spared; another spits in the macaw’s face.
Spectral is a 2016 Hungarian-American military science fiction action film co-written and directed by Nic Mathieu.Written with Ian Fried & George Nolfi, the film stars James Badge Dale as DARPA research scientist Mark Clyne, with Max Martini, Emily Mortimer, Clayne Crawford, and Bruce Greenwood in supporting roles.
The few remaining birds were scattered in private collections around the world. For the Spix's macaws, immortalized in the popular animated “Rio” films, the road back from the edge of ...
Natural horror is a subgenre of horror films that features natural forces, [1] typically in the form of animals or plants, that pose a threat to human characters.. Though killer animals in film have existed since the release of The Lost World in 1925, [2] two of the first motion pictures to garner mainstream success with a "nature run amok" premise were The Birds, directed by Alfred Hitchcock ...
Harrowing television footage showed flames engulfing some of the multimillion dollar oceanside mansions in Pacific Palisades. One resident who escaped likened the situation to a scene from a ...
Screen Hub wrote "although McKenna employs expressive aesthetic choices to partially temper the familiarity of his narrative — and to demonstrate his stylistic flair, perhaps most notably in Is This The Real World‘s book-ending shots — it’s the film’s layered performances that help it to carve out its own niche." [5]