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The DeVille incorporates a 60 watt amplifier and has been offered in two different models: a 212, with 2, 12-inch speakers and a 410, with 4, 10-inch speakers. The 410 utilized 10" Fender Special Design speakers made by Eminence and was available for versions II and III. The 212 has been available through versions II, III and IV.
All Jensen speakers also include a date and manufacturer's code. Jensen's source code is 220. Accompanying the company specific code (220) is the last digit of the year and the 2 digits of the week manufactured, creating a 6 digit code usually imprinted on the speaker edge or the magnet housing. Thus a code of 220534 would denote a Jensen ...
From 1996–2010, the stock speaker is an Eminence Legend 1258 75 Watt (special design) speaker. In 2010 the updated version, (dubbed the Hot Rod Deluxe III) was equipped with a Celestion G12P-80 speaker. In 2018 it was updated again with a Celestion A-Type speaker, pine cabinet, smoother-sounding spring reverb and modified preamp circuitry.
This "code" is one of many innocuous sounding secret codes that. If you've been shopping in a big box retail store you've probably heard an announcement on the loudspeaker such as, "code yellow ...
The speaker was offered either with the standard Fender Blue Label, or optionally with a Fender-branded Electro-Voice EVI-10. Additionally, 100 Super Champ cabinets made of oak, fitted with EVI-10, having brown/champagne faceplate and knobs, and a special grille cloth were offered as part of the Super Pro Series.
The Gauss Speaker Company, later known as Cetec Gauss, was a Sun Valley loudspeaker company. They were approved by Fender Musical Instruments Corporation [ 1 ] and found widespread use among rock musicians of the 1960s through the 1990s [cite?] .
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
Fender published the Fender Frontline magazine as a source of product, artist and technical data for the company's customers. [25] The first half featured interviews and articles about the guitars and the stars who played them, and the second half was a catalog section. [26] Fender published 27 issues of the magazine from 1990 through 2000. [26]