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  2. FLAC - Wikipedia

    en.wikipedia.org/wiki/FLAC

    FLAC is specifically designed for efficient packing of audio data, unlike general-purpose lossless algorithms such as DEFLATE, which are used in ZIP and gzip. While ZIP may reduce the size of a CD-quality audio file by 10–20%, FLAC is able to reduce the size of audio data by 40–50% by taking advantage of the characteristics of audio.

  3. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    The resolution of binary integers increases exponentially as the word length increases: adding one bit doubles the resolution, adding two quadruples it, and so on. The number of possible values that an integer bit depth can represent can be calculated by using 2 n , where n is the bit depth. [ 1 ]

  4. Audio file format - Wikipedia

    en.wikipedia.org/wiki/Audio_file_format

    The audio in au files can be PCM or compressed with the μ-law, a-law or G.729 codecs. .awb: AMR-WB audio, used primarily for speech, same as the ITU-T's G.722.2 specification. .dss: Olympus: DSS files are an Olympus proprietary format. DSS files use a high compression rate, which reduces the file size and allows files to be copied and ...

  5. Sample-rate conversion - Wikipedia

    en.wikipedia.org/wiki/Sample-rate_conversion

    Sample-rate conversion, sampling-frequency conversion or resampling is the process of changing the sampling rate or sampling frequency of a discrete signal to obtain a new discrete representation of the underlying continuous signal. [1]

  6. Audio coding format - Wikipedia

    en.wikipedia.org/wiki/Audio_coding_format

    As such, the user normally doesn't have a raw AAC file, but instead has a .m4a audio file, which is a MPEG-4 Part 14 container containing AAC-encoded audio. The container also contains metadata such as title and other tags, and perhaps an index for fast seeking. [2] A notable exception is MP3 files, which are raw audio coding without a ...

  7. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    Sample rate Bit rate Bits per sample Latency CBR VBR Stereo Multichannel G.711: companding A-law or μ-law, PCM: 8 kHz 64 kbit/s 8 bit 125 μs (typical) Yes No No No G.711.0: Lossless compression of G.711: 8 kHz 0.2–65.6 kbit/s 8 bit 5–40 ms No Yes No No G.711.1: MDCT, A-law, μ-law: 8, 16 kHz 64, 80, 96 kbit/s 16 bit 11.875 ms Yes Yes No No

  8. Digital recording - Wikipedia

    en.wikipedia.org/wiki/Digital_recording

    For music-quality audio, 44.1 and 48 kHz sampling rates are the most common. Master recording may be done at a higher sampling rate (i.e. 88.2, 96, 176.4 or 192 kHz). High-resolution PCM recordings have been released on DVD-Audio (also known as DVD-A), DualDisc (utilizing the DVD-Audio layer), or High Fidelity Pure Audio on Blu-ray.

  9. Meridian Lossless Packing - Wikipedia

    en.wikipedia.org/wiki/Meridian_Lossless_Packing

    The Meridian Lossless Packing logo The Advanced Resolution logo. Meridian Lossless Packing, also known as Packed PCM (PPCM), [citation needed] is a lossless compression technique for PCM audio data developed by Meridian Audio, Ltd. MLP is the standard lossless compression method for DVD-Audio content [1] (often advertised with the Advanced Resolution logo) and typically provides about 1.5:1 ...

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