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Yotsugana (四つ仮名, literally "four kana") are a set of four specific kana, じ, ぢ, ず, づ (in the Nihon-shiki romanization system: zi, di, zu, du), used in the Japanese writing system. They historically represented four distinct voiced morae (syllables) in the Japanese language. However, most dialects, such as Standard Japanese ...
The Japanese language makes use of a system of honorific speech, called keishō (敬称), which includes honorific suffixes and prefixes when talking to, or referring to others in a conversation. Suffixes are often gender-specific at the end of names, while prefixes are attached to the beginning of many nouns.
Even though the kijin and onryō of Japanese Buddhist faith have taken humans' lives, there is the opinion that there is no "death god" that merely leads people into the world of the dead. [6] In Postwar Japan , however, the Western notion of a death god entered Japan, and shinigami started to become mentioned as an existence with a human nature.
The yūrei is one of the only creatures in Japanese mythology to have a preferred haunting time (midtime of the hours of the Ox; around 2:00 am–2:30 am, when the veils between the world of the dead and the world of the living are at their thinnest).
The Western Japanese Kansai dialect was the prestige dialect when Kyoto was the capital, and Western forms are found in literary language as well as in honorific expressions of modern Tokyo dialect (and therefore Standard Japanese), such as adverbial ohayō gozaimasu (not *ohayaku), the humble existential verb oru, and the polite negative ...
One of his most famous works, Chichi Kaeru (Father Returns), is a one-act play that mainly portrays the struggles of a father-son relationship. Father Returns opened in 1920, after being published in the journal New Tides of Thought in 1917. [10] The story revolves around a conflict between a father and son.
The dividing line between the upper hatamoto and the fudai daimyōs '—the domain lords who were also vassals of the Tokugawa house—was 10,000 koku. [3] At the beginning of the 18th century, about 5,000 samurai held the rank of hatamoto; over two thirds of these had an income of less than 400 koku and only about 100 earned 5,000 koku or more.
The classical Japanese language (文語, bungo, "literary language"), also called "old writing" (古文, kobun) and sometimes simply called "Medieval Japanese", is the literary form of the Japanese language that was the standard until the early Shōwa period (1926–1989).