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This is the seventh part of the critically acclaimed television documentary series Martin Scorsese Presents The Blues shown on PBS in September 2003. This collection of music represents what Eastwood said "...in my film Piano Blues I'm trying to investigate who influenced everyone, and who the great players were."
Marcia Ball (born March 20, 1949) [1] is an American blues singer and pianist raised in Vinton, Louisiana. [1]Ball was described in USA Today as "a sensation, saucy singer and superb pianist... where Texas stomp-rock and Louisiana blues-swamp meet."
Piano Blues is a 2003 documentary film directed by Clint Eastwood as the seventh installment of the documentary film series The Blues produced by Martin Scorsese. The film features interviews and live performances of piano players Ray Charles , Dave Brubeck , Dr. John and Marcia Ball .
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
Johnson was the subject of a Homespun Tapes piano instructional video, The Blues/Rock Piano of Johnnie Johnson: Sessions with a Keyboard Legend. Originally released in 1999 (a DVD was issued in 2005), the video is hosted by David Bennett Cohen, along with Johnson's band, featuring guitarist Jimmy Vivino.
Today, however, my relating to classical music is diminishing again; to be honest, it isn’t easy to run on two tracks and my heart beats much louder for the blues." [3] After two years of classical piano lessons Sestak discovered jazz and blues music, in particular boogie-woogie, on the internet mainly through YouTube.
The set of short blues for piano is the assembling of two pieces from the '20s and two more from the '40s. The first two pieces were written in 1926, as separate movements of an incomplete suite for piano, entitled Five Sentimental Melodies. This work was largely drawn from other melodies extracted from Copland's Piano Concerto. One of the ...
Music for the Theatre for orchestra (1925) Two Choruses ("The House on the Hill," "An Immortality") for chorus (1925) Piano Concerto for piano and orchestra (1926) Two Pieces for violin and piano (1926) Sentimental Melody for piano (1926) Four Piano Blues for piano (1926–48) Poet's Song for voice and piano (1927) Vocalise No.1 for voice (1928)
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