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The Seven Deadly Sins panels woven for Wolsey's bedroom at Hampton Court are also thought to be Brussels work. By the time of his fall in 1529, Wolsey's collection included over 600 tapestry pieces, old and new.
The family of de Pannemaeker or de Pannemaker were tapestry weavers from the Southern Netherlands, more or less equivalent to modern-day Belgium.Pieter de Pannemaeker (fl. 1517–32), working from Brussels, was a celebrated weaver who, for European royalty, created tapestries resplendent with gold and silver threads, and expensive fine silks and woollen items.
Tapestry by Évrard Leyniers, Neptune gives birth to the horse by striking the earth with his trident, after a work by Jacques Jordaens, circa 1650-1660.. The Leyniers family (/lɛnɪjɛ/) is a bourgeois family that appeared in Brussels in the 15th century and produced many high-level tapestry makers and dyers, experts in the art of dyeing in subtle shades the woolen threads destined for this ...
The twelve interior panels. This open view measures 5.2 m × 3.75 m (17.1 ft × 12.3 ft). [1] Closed view, back panels. The Ghent Altarpiece, also called the Adoration of the Mystic Lamb (Dutch: De aanbidding van het Lam Gods), [A] is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium.
The first tapestries were brought by Queen Bona Sforza as her wedding dowry. [6] Then in 1526 and 1533, Sigismund I the Old ordered 108 fabrics in Antwerp and Bruges. [6] Most of the tapestries, however, were commissioned by king Sigismund II Augustus in Brussels [3] in the workshops of Willem and Jan de Kempeneer, Jan van Tieghem [7] and Nicolas Leyniers between 1550-1565. [8]
Yvette Cauquil-Prince (second from left) in front of the Chagall-Cauquil-Prince tapestry "Le Gant Noir" Yvette Cauquil-Prince (10 July 1928 – 1 August 2005) [1] was a Belgian-born weaver and master craftswoman who created tapestries in direct collaboration with renowned 20th-century artists and/or their estates.
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