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The various elements of the painting are unified through brushwork; short, crisp strokes were used to paint the grasses of the cliff, the girls' drapery and the distant sea. A sense of movement suggested by painterly calligraphy was a property of Monet's work in the 1880s, and is here used to connote the effect of a summer wind upon figures ...
Maria covers her face with her hand against the sun shining in front and seems to be reading a book lying in front of her on the meadow. The mountains of the Bavarian Prealps are shown in the background . The light colors are applied with a broad brushstroke. Instead of a lifelike reproduction, Marc captures the mood of the scene.
An edge painting that is a continuous scene wrapped around more than one edge is called a panoramic fore-edge painting. This is sometimes called a triple edge painting. [7] [8] A split double painting has two different illustrations, one on either side of the book's center. When the book is laid open in the center, one illustration is seen on ...
A Girl in the Street, Two Coaches in the Background Artist Vincent van Gogh Year 1882 Catalogue F13 JH179 Medium Oil on canvas on panel Dimensions 42.0 cm × 53.0 cm (16.5 in × 20.9 in) Location Villa Flora, Winterthur A Girl in the Street, Two Coaches in the Background (F13, JH179) is an oil painting by Vincent van Gogh. It is one of his very early works, painted in The Hague in August 1882 ...
The painting depicts a young peasant girl, standing in profile on a hillside, transferring wool fibers from a distaff to a spindle that dangles from her right hand. She is barefoot and wears traditional costume consisting of a white shirt with sleeves rolled up, a blue frock, and a tattered red apron that sways in the wind.
An image of the painting is difficult to fully capture with photography, particularly in the attempt to duplicate the intensity of the reflected orange and red sunset light which sparkles with scumbled paint. [2] "The painting seems to exude a rosy light that reaches out to the viewer as [one] bends forward to examine the surface", writes Gregg ...
[4] Sher-Gil's later painting Two Girls would expand on this theme, and her portraits of women close to each other would also become a recurring theme. [4] Dalmia would quote in her book that Rahim's response was that "the picture as a whole is captivating. Nothing betrays the fact that the picture is the work of a girl of 19.
A Woman and a Girl Driving is an oil-on-canvas painting by American Impressionist Mary Cassatt, painted in 1881. It emphasizes the theme of female autonomy in a male dominated society. [ 1 ] Lydia Cassatt, the artist's sister, is shown holding the reins of the family's carriage alongside Odile Fèvre, the niece of Edgar Degas , and a servant to ...