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In 2004, horror film director Rob Zombie commissioned Jesse Dayton to record an album for the fictional characters Banjo and Sullivan from his sophomore feature The Devil's Rejects. [4] The resulting album was a collection of tongue-in-cheek honky-tonk country entitled Banjo & Sullivan: The Ultimate Collection .
Soon after, Temple's long-time friend, Jesse Dayton (an Austin, Texas-based alt-country musician and songwriter) was approached to helm the project as producer and bandleader with Temple and Dayton sharing songwriting credit. [3] The album is presented as a greatest hits compilation from the 1970s, contemporary with the film's setting.
Johanson's manager suggested Jesse Dayton to produce the album. Dayton had him play each track live about five times to figure out what worked and what didn't work. By the time the musicians recorded the tracks live in the studio, Johanson had the live experience of working with Dayton to draw upon, allowing him to dial in on the sound he ...
More than 30 years ago, Rob Lowe's reputation was in the gutter — and he's better for it. Reflecting on the infamous 1988 sex tape that ground his career to a halt, Lowe said on SiriusXM's "The ...
When Kosas (you probably know them as the makers of the obsession-worthy Wet Lip Oil Gloss and Tinted Face...
The Revealer: A Review of Religion and Media is an online magazine published by the Center for Religion and Media at New York University.The Revealer publishes ten issues per year and features articles that explore religion and its many roles in society, politics, the media, and in people's lives.
Dayton says he recorded the album with Shooter Jennings. "I met Shooter when I was playing guitar for his dad, Waylon," he says. "I was like 23 or 24 and Shooter was about 15 or 16. We stayed friends.
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