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Swing was sometimes regarded as light entertainment, more of an industry to sell records to the masses than a form of art, among fans of both jazz and "serious" music. Some jazz critics such as Hugues Panassié held the polyphonic improvisation of New Orleans jazz to be the pure form of jazz, with swing a form corrupted by regimentation and ...
Jazz poetry has been defined as poetry that "demonstrates jazz-like rhythm or the feel of improvisation" [1] and also as poetry that takes jazz music, musicians, or the jazz milieu as its subject, [2] and is designed to be performed. Some critics consider it a distinct genre though others consider the term to be merely descriptive.
The outbreak of World War II marked a turning point for jazz. The swing-era jazz of the previous decade had challenged other popular music as being representative of the nation's culture, with big bands reaching the height of the style's success by the early 1940s; swing acts and big bands traveled with U.S. military overseas to Europe, where ...
Over the years, as jazz music developed and grew in complexity, scat singing did as well. During the bop era of the 1940s, more highly developed vocal improvisation surged in popularity. [27] Annie Ross, a bop singer, expressed a common sentiment among vocalists at the time: "The [scat] music was so exciting, everyone wanted to do it."
The 1998 version was seen as an archive footage clip was featured during the music "Dickie's Dream" by Count Basie in the final episode, "A Masterpiece by Midnight" from the 2001 Ken Burns documentary Jazz. The Gap used Prima's version in a "Khakis Swing" commercial in 1998. [6] Louis Prima's version is used in the 2008 MGM animated film Igor.
Developments in dance orchestras and jazz music culminated in swing music during the early 1930s. It brought to fruition ideas originated with Louis Armstrong, Earl Hines, Fletcher Henderson, Duke Ellington, and Jean Goldkette. The swing era also was precipitated by spicing up familiar commercial, popular material with a Harlem-oriented flavor ...
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Recorded at Phil Turetsky's House, Los Angeles, on July 9, 1952, it was released on The Complete Pacific Jazz and Capitol Recordings of the Original Gerry Mulligan Quartet and Tentette with Chet Baker and The Complete Pacific Jazz Recordings of The Gerry Mulligan Quartet with Chet Baker (Pacific Jazz). [6] Josephine Baker.