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Fair copy in Bach's own hand of the revised version of the St Matthew Passion BWV 244 that is generally dated to the year 1743–46. The St Matthew Passion is the second of two Passion settings by Bach that have survived in their entirety, the first being the St John Passion, first performed in 1724.
The St Matthew Passion can be divided in scenes or "stations" that follow the dramatic action of the Gospel account in different locations. [3] Whatever the chosen scene division (none of them indicated by the composer in the score), scenes end on an aria, a chorus, or in the midst of a Gospel text section.
The cantata ends with a four-part setting of the chorale, "Meinen Jesum laß ich nicht, geh ihm ewig an der Seiten" (I will not let go of my Jesus, I will walk beside Him forever), [7] with a conjunct melody and active continuo line. [8] The last line is the same as the first, connecting to the beginning of the cantata. [7] [4]
Christian Keymann (also Christian Keimann; 27 February 1607 – 13 January 1662) was a German hymnwriter.He is known for writing the chorale "Meinen Jesum laß ich nicht" in 1658, which served as the base for Bach's chorale cantata Meinen Jesum laß ich nicht, BWV 124, and other compositions.
LibriVox is an invented word inspired by Latin words liber (book) in its genitive form libri and vox (voice), giving the meaning BookVoice (or voice of the book). The word was also coined because of other connotations: liber also means child and free, independent, unrestricted. As the LibriVox forum says: "We like to think LibriVox might be ...
The bass is accompanied by the full orchestra: "Ich will von Jesu Wundern singen und ihm der Lippen Opfer bringen" (I will sing of Jesus' wonders and bring my lip's offering to Him), [1] [27] expressing the wonders of faith with trumpet, oboes and strings giving a jubilatory tone which appears as a response to the initial chorus, with the bass ...
Chorale "Wohl mir, daß ich Jesum habe" Jahn's verses [ 7 ] [ 8 ] express a close, friendly, and familiar friendship with Jesus, who gives life to the poet. It has been noted that the original German hymn was characteristically a lively hymn of praise, which is carried over somewhat into Bach's arrangement; whereas a slower, more stately tempo ...
Meinen Jesum laß ich nicht (I will not let go of my Jesus), [1] BWV 124, is a church cantata written by Johann Sebastian Bach. He composed it in Leipzig for the first Sunday after the Epiphany and first performed it on 7 January 1725. It is based on the hymn " Meinen Jesum laß ich nicht" by Christian Keymann.
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