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Meeraji's literary output was immense but he published very little of his poetry during his lifetime. However, Khalid Hasan, in his article "Meera Sen's forgotten lover," [citation needed] records that during Meeraji's lifetime four collections of Meeraji's works were published by Shahid Ahmed Dehlavi, and one by Maktaba-e-Urdu, Lahore.
Amir Khusro (1253–1325) composed the first ghazal in Urdu, titled ze-hāl-e-miskīñ. [2] He wrote in Persian and Rekhta (initial form of Urdu). Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5]
The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
He uses woman as a symbol that stands for beauty and love permeating the whole universe. [3] Variegated aspects and artistic skills of Shairani's poetry lend him a place in modern Urdu poetry. His influence on Urdu literature, and poetry in particular, earned him a repute of trendsetter. [3] His famous poems include: "Ae ishq kahin le chal"
The recurring theme of elusive love is often explored in ghazals such as "Wo tou khushbu hai" (He is fragrance), where the poet describes the essence of love as fleeting and intangible, like a scent. For example, in "Khushbu bhi us k tarz-e-pazeerai per gai" (Fragrance also goes by his style of welcome), the poet suggests that even fragrance is ...
Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
Grahame Bailey calls it the greatest poem ever written at Bijapur. [10] Nuṣratī's final poem, written in a similar vein, is Taʾrīkh-i Sikandarī (also called the Taʾrīkh-i Bahlol Khani), a celebration of Bahlol Khan's victory over Shivaji at the battle of Umrani in 1672. It was written for ʿAlī II's successor, Sikandar. [14]