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Animated example of what a glitched video can look like, by Michael Betancourt (Mae Murray in a screen test). Glitch art is an art movement centering around the practice of using digital or analog errors, more so glitches, for aesthetic purposes by either corrupting digital data or physically manipulating electronic devices.
The Centro de Cálculo (Computer Center) of the Universidad Autónoma de Madrid, active between 1966 and 1982, was another important group where Asins pioneered the genre of Computer art. To her initial experiences in Spain, Elena Asins extended her artistic and intellectual research in centers such as the University of Stuttgart , Columbia ...
Computer demos are computer programs, usually non-interactive, that produce audiovisual presentations. They are a novel form of art, which emerged as a consequence of home computer revolution in the early 1980s. In the classification of digital art, they can be best described as real-time procedurally generated animated audio-visuals.
Digital painting is the creation of imagery on a computer, using pixels (picture elements) which are assigned a color. The process uses raster graphics rather than vector graphics , and can render graduated or blended colors in imagery which mimics traditional drawing and painting media.
Desmond Paul Henry, picture by Drawing Machine 1, c. 1962. The precursor of computer art dates back to 1956–1958, with the generation of what is probably the first image of a human being on a computer screen, a (George Petty-inspired) [3] pin-up girl at a SAGE air defense installation. [4]
Non-photorealistic rendering (NPR) is an area of computer graphics that focuses on enabling a wide variety of expressive styles for digital art, in contrast to traditional computer graphics, which focuses on photorealism. NPR is inspired by other artistic modes such as painting, drawing, technical illustration, and animated cartoons.
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A pillar of liminal spaces is the absence of living things, particularly other people, with the implication that the viewer is alone; this lack of presence is "liminal in a temporal way, that occupy a space between use and disuse, past and present, transitioning from one identity to another." [3]
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