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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Elizabethan Baroque (Russian: Елизаветинское барокко, romanized: Yelizavetinskoye barokko or Elizavetinskoe barokko) is a term for the Russian Baroque architectural style, developed during the reign of Elizabeth of Russia between 1741 and 1762. It is also called style Rocaille or Rococo style. [1]
Rococo art was even more elaborate than the Baroque, but it was less serious and more playful. [38] Whilst the Baroque used rich, strong colours, Rococo used pale, creamier shades. The artistic movement no longer placed an emphasis on politics and religion, focusing instead on lighter themes such as romance, celebration, and appreciation of nature.
Baroque and Rococo inspiration was more popular during the reign of Napoleon III (1852–1870), and continued later, after the fall of the Second French Empire. [177] Compared to how in England architects and designers saw the Gothic as a national style, Rococo was seen as one of the most representative movements for France.
The successive styles of the great church buildings of Europe are known as Early Christian, Byzantine, Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, and various Revival styles of the late 18th to early 20th centuries, and then Modern. [3] Underlying each of the academic styles are the regional characteristics.
Rococo, employed in ecclesiastical decoration, was part of the secularization movement that the Catholic Church had been experiencing since the Baroque, removing various obstacles between the sacred and the profane, and served as a new and more engaging way to celebrate the mysteries of faith, but its ornamentalism was also seen by some as a ...
Watteau's The Embarkation for Cythera, 1717.. A success for the Rubenists was achieved when Roger de Piles was elected a member (as an amateur) of the French Academy in 1699, and the final signal that the Rubenists had won came when Antoine Watteau's The Embarkation for Cythera was accepted as his reception piece by the Academy in 1717.
Rococo still maintained the Baroque taste for complex forms and intricate patterns, but by this point, it had begun to integrate a variety of diverse characteristics, including a taste for Oriental designs and asymmetric compositions. The Rococo style spread with French artists and engraved publications.
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