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The film is an adaptation of the 1992 manhua Black Mask by Li Chi-Tak. [6] In 2002, it was followed by a sequel, Black Mask 2: City of Masks, starring Andy On and directed by Tsui Hark. In homage to The Green Hornet, Black Mask wears a domino mask and chauffeur's cap in the same style as Kato (played by Bruce Lee) from the television series. [7]
Black Mask 2 is the sequel to the 1996 Hong Kong film Black Mask, which was based on the 1992 manhua Black Mask by Li Chi-Tak. [2] However, apart from the main character, the film is largely unrelated in story to the original film and follows Black Mask trying to find a cure for his supersoldier powers, all while being tracked by his creator, a giant brain (a detail at odds with the original ...
Black Mask (December, 1928) cover.jpg Licensing This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
Black Mask as depicted in Batman Villains Secret Files & Origins #1 (October 1998). Art by Tom Mandrake. Black Mask's origin story was established in his first appearance. . Roman Sionis was born to wealthy and self-absorbed parents, who cared more about their social status than their own
Black Mask Studios, a comic book and graphic novel publishing company; The Black Mask, a 1905 collection of short stories by E. W. Hornung concerning the gentleman thief A. J. Raffles; The Black Mask, a British crime film directed by Ralph Ince; The Black Mask, an Italian historical adventure film; Black Mask, a character in Hikari Sentai Maskman
Black Mask was a pulp magazine first published in April 1920 [1] by the journalist H. L. Mencken and the drama critic George Jean Nathan.It is most well-known today for launching the hardboiled crime subgenre of mystery fiction, publishing now-classic works by Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, Cornell Woolrich, Paul Cain, Carroll John Daly, and others.
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With New Line Cinema initially intending for The Mask to start a new horror franchise, the company offered the job of directing the film to Charles Russell, known for directing such films. [2] However, Russell found the violence of the comic to be off-putting, and wanted the film to be less grim and more fun than the source material.