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Banner-making is an ancient craft. Church banners commonly portray the saint to whom the church is dedicated. The word derives from Old French baniere (modern French: bannière), from Late Latin bandum, which was borrowed from a Germanic source (compare Gothic: 𐌱𐌰𐌽𐌳𐍅𐌰, romanized: bandwa).
Red banner embroidered with an icon of a saint (Church of St. Gabriel, Nazareth).. Khorugv (Russian: хоругвь, Bulgarian: хоругва, Church Slavonic: хорѫгꙑ, Ukrainian: хоругва, Polish: chorągiew, Romanian: prapur, Finnish: kirkkolippu, sometimes translated as gonfalon) [1] is a religious banner used liturgically in the Eastern Orthodox and Eastern Catholic Churches.
The Epitaphios (Greek: Ἐπιτάφιος, epitáphios, or Ἐπιτάφιον, epitáphion, meaning "upon the tomb"; Slavonic: Плащаница, plashchanitsa; Arabic: نعش, naash) is a Christian religious icon, typically consisting of a large, embroidered and often richly adorned cloth, bearing an image of the dead body of Christ, often accompanied by his mother and other figures ...
They acted as a cushion and, with the cere cloth, prevented the altar from being dented by heavy vases or communion vessels placed on top. Instead of two cloths, a single long cloth folded so that each half covered the whole mensa was acceptable. The topmost cloth was the fair linen, a long white linen cloth laid over the two linen cloths. It ...
Sendal, cendal or sandal is a thin and light silk material, [1] chiefly used to make ceremonial clothing, church vestments, and banners. The word derives from Greek σινδων (sindōn), "fine linen"; the old French word is cendal. The word often describes a fabric woven of a linen warp and a silk weft. [2]
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
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