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"Time Stand Still" is a song by Canadian progressive rock band Rush, released in 1987 as the lead single from their twelfth studio album Hold Your Fire. [1] The song features American singer-songwriter Aimee Mann .
The shows performed on June 17 and 19, 2015, at the Air Canada Centre in Toronto were filmed and released as the concert film R40 Live on November 20, 2015. A documentary titled Rush: Time Stand Still was released in November 2016, dealing with the band's preparations for the tour and their experiences during it. [2]
Two tracks from Hold Your Fire, "Force Ten" and "Time Stand Still", both peaked at No. 3 on the US Mainstream Rock Tracks chart. [74] A third live album and video, A Show of Hands (1989), was also released by Anthem and Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s.
Hold Your Fire was the last Rush studio album released outside Canada by PolyGram/Mercury. 'Til Tuesday bassist and vocalist Aimee Mann contributed vocals to "Time Stand Still" and appeared in the Zbigniew Rybczyński-directed video.
The post-show video that played during the tour (featuring Paul Rudd and Jason Segel) is not included on the DVD/Blu-ray release. In its place is a closing segment that features Lee, Lifeson and Peart performing a polka rendition of "Closer to the Heart" and portraying their characters from the video intro for the first set.
"Mystic Rhythms" is a song by the Canadian rock band Rush. It was released as the second single from their 1985 album Power Windows.The single charted at number 21 on the US Mainstream Rock chart. [2]
The song's lyrics tell a story set in a future in which many classes of vehicles have been banned by a "Motor Law." The narrator's uncle has kept one of these now-illegal vehicles (the titular red Barchetta sports car) in pristine condition for roughly 50 years and is hiding it at his secret country home, which had been a farm before the Motor Law was enacted.
The band set out to record the song in one take; however, it ultimately required three separate takes. According to Lee, "We spent more time recording 'Strangiato' than the entire Fly by Night album. It was our first piece without any vocals at all. So each section had to stand up with a theme and musical structure of its own." [1]