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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The first is a Baroque orchestra (i.e., J.S. Bach, Handel, Vivaldi), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform the bassline), played an important role; the second is a typical classical ...
The score contains all the parts for the singers and the accompaniment parts and melodies for the orchestra. Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [2] [3] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Peak-to-peak amplitude (abbreviated p–p or PtP or PtoP) is the change between peak (highest amplitude value) and trough (lowest amplitude value, which can be negative). With appropriate circuitry, peak-to-peak amplitudes of electric oscillations can be measured by meters or by viewing the waveform on an oscilloscope .
The relative volume or amplitude of various overtone partials is one of the key identifying features of timbre, or the individual characteristic of a sound. [ 3 ] Using the model of Fourier analysis , the fundamental and the overtones together are called partials .
Because amplitude varies directly with sound pressure (A = k 1 P) and sound pressure varies directly with distance (P = k 2 d), such that amplitude also varies directly with distance (A = k 1 (k 2 d) = k 1 k 2 d), the amplitude of the sound as perceived by the listener will be greatest when the speaker is at the point in its rotation closest to ...
These laws are true to the extent that the ear is sensitive to the frequency and amplitude of the acoustic waves, and further, is able to resolve the differences in their frequency. In modern times, the sensitivity of human hearing to the phase of tone components has been extensively investigated. [8] Controversy has led to this ...