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Peak-to-peak amplitude (abbreviated p–p or PtP or PtoP) is the change between peak (highest amplitude value) and trough (lowest amplitude value, which can be negative). With appropriate circuitry, peak-to-peak amplitudes of electric oscillations can be measured by meters or by viewing the waveform on an oscilloscope .
The first is a Baroque orchestra (i.e., J.S. Bach, Handel, Vivaldi), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform the bassline), played an important role; the second is a typical classical ...
The score contains all the parts for the singers and the accompaniment parts and melodies for the orchestra. Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for
A music score of an opera, musical, or a vocal or choral composition with orchestra (like oratorio or cantata) where the vocal parts are written out in full but the accompaniment is reduced to two staves and adapted for playing on piano voce Voice volante Flying volti subito (V.S.) Turn immediately (i.e. turn the page quickly).
Because amplitude varies directly with sound pressure (A = k 1 P) and sound pressure varies directly with distance (P = k 2 d), such that amplitude also varies directly with distance (A = k 1 (k 2 d) = k 1 k 2 d), the amplitude of the sound as perceived by the listener will be greatest when the speaker is at the point in its rotation closest to ...
These laws are true to the extent that the ear is sensitive to the frequency and amplitude of the acoustic waves, and further, is able to resolve the differences in their frequency. In modern times, the sensitivity of human hearing to the phase of tone components has been extensively investigated. [8] Controversy has led to this ...
The relative volume or amplitude of various overtone partials is one of the key identifying features of timbre, or the individual characteristic of a sound. [ 3 ] Using the model of Fourier analysis , the fundamental and the overtones together are called partials .
Natural frequency, measured in terms of eigenfrequency, is the rate at which an oscillatory system tends to oscillate in the absence of disturbance. A foundational example pertains to simple harmonic oscillators, such as an idealized spring with no energy loss wherein the system exhibits constant-amplitude oscillations with a constant frequency.