Search results
Results from the WOW.Com Content Network
A conservation technician examining an artwork under a microscope at the Indianapolis Museum of Art. The conservation and restoration of books, manuscripts, documents, and ephemera is an activity dedicated to extending the life of items of historical and personal value made primarily from paper, parchment, and leather.
In general, works of art on paper should be stored in a cool and relatively dry room with minimal exposure to light. [40] Pastel artworks should be matted and framed. Framing should be under ultraviolet filtering acrylic sheeting. [22] Using a glaze over the surface of the oil pastel works can help to protect the oil pastel from damage. [1]
Examples of interventive treatments include the removal of discolored varnish from a painting, the application of wax to a sculpture, and the washing and rebinding of a book. Ethical standards within the field require that the conservator fully justify interventive actions and carry out documentation before, during, and after the treatment.
Japanese paper: Paper is dissimilar to parchment in both appearance and behavior, which can pose the future issue of storing an object with composite materials. Paper infills can be toned with watercolor or acrylic paints to better match the original parchment appearance. Acrylic-toned papers are treated with various adhesives such as B-72 ...
No more “Paper or Plastic?” If you forget your reusable bag, you will have only a paper option. Senate Bill 1053 has passed the Senate 31-7, and Assembly Bill 2236 passed out of its house 51-7.
Foxing is an age-related process of deterioration that causes spots and browning on old paper documents such as books, postage stamps, old paper money and certificates. The name may be a variant form of the English West country dialect term foust and Scots foze , to become moldy. [ 1 ]
Some commentators, such as Donn Zaretsky of The Art Law Blog critique the notion of "the public trust" and argue that deaccessioning rules should probably be thrown out altogether. [15] Others, such as Susan Taylor, director of the New Orleans Museum of Art and the AAMD's current president, believes that proceeds from the sale or funds from the ...
In their study, Mora, Mora, and Philippot cite four reasons for the "over-use" of detachment: the 19th-century division of the arts that privileged a "painting" divorced from its architectural and historical context; insensitivity to the aesthetic consequences, often partially concealed by restorers; the curiosity of art historians looking for sinopie; or perceived savings relating to the ...