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The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval and Early Modern Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.
Instrumental forms include such things as the sonata, symphony, and concerto. Important names in music within this period in Italy are Alessandro Scarlatti, and Antonio Vivaldi, representing the importance of Naples and Venice, respectively, within this period. Teatro San Carlo, Naples
In the late sixteenth century, however, Andrea and Giovanni Gabrieli at St Mark's Basilica in Venice began experimenting with placing diverse group of performers – instrumental and vocal – in antiphonal locations around the vast interior of the church, in what became known as cori spezzati (divided choirs).
In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style.The Venetian polychoral compositions of the late sixteenth century were among the most famous musical works in Europe, and their influence on musical practice in other countries was enormous.
San Marco in the evening. The spacious, resonant interior of this building was an inspiration for the development of this musical style. The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation.
Riccio is known to have published three books of vocal and instrumental music in Venice. These books include his instrumental works for recorder—unusual for Venetian music at the time, although Giovanni Picchi also wrote for the instrument. The initial publication date of Riccio's Primo Libro is unknown, but the reprint dating from 1612 survives.
Giovanni Bassano arrived as a young instrumental player at St. Mark's probably in 1576 at the age of 18. He quickly acquired a reputation as one of the finest instrumentalists in Venice. By 1585 he had published his first book, Ricercate, passagi et cadentie, which details how best to ornament passages when transcribing vocal music for ...
Venice had a long history of caring for its sick, homeless, poor, and orphaned before the four Ospedali became recognized as a group musical institutions. The Ospedale degl’Incurabili (1522), the Ospedale di Santa Maria dei Derelitti (1528), and the Ospedale di San Lazzaro e dei Mendicanti (1595) all emerged from hospices that had been formed ...
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