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The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval and Early Modern Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.
The Venice Time Machine is a large international project launched by the École Polytechnique Fédérale de Lausanne (EPFL) and the Ca' Foscari University of Venice in 2012 that aims to build a collaborative multidimensional model of Venice by creating an open digital archive of the city's cultural heritage covering more than 1,000 years of evolution. [1]
Born in Venice, Marcello was the son of a senator, and as a nobleman, enjoyed a comfortable life that gave him the freedom to pursue his interest in music.He held concerts in his hometown and composed and published several sets of concertos, including six under the title of La Cetra (The Lyre), as well as cantatas, arias, canzonetti, and violin sonatas.
In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style.The Venetian polychoral compositions of the late sixteenth century were among the most famous musical works in Europe, and their influence on musical practice in other countries was enormous.
The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.
Deadly storms across Italy have brought Venice face-to-face with one of the city's worst floods in at least a decade — leaving residents, store owners, and tourists alike fending off knee-high ...
City officials in Venice, Italy, have committed to a 30-day experiment in which visitors will be charged a 5 euro entrance fee on peak days.
San Marco basin, Venice. After the concerts at Arena of Verona, Monza, Livorno, and Cava de' Tirreni in May 1989, the Venetian producer Francesco 'Fran' Tomasi proposed that Pink Floyd close their tour in Italy with a free concert in his city on the night of 15 July 1989, during the traditional festa del Redentore.