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Salsa music. Salsa music is a style of Caribbean music, combining elements of Cuban, Puerto Rican, and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno and son Cubano, [10 ...
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.
Tumbao. In music of Afro-Cuban origin, tumbao is the basic rhythm played on the bass. In North America, the basic conga drum pattern used in popular music is also called tumbao[citation needed]. In the contemporary form of Cuban popular dance music known as timba, piano guajeos are known as tumbaos. [1]
Timba. Cuban salsa dancers in Havana. Timba is a Cuban genre of music based on Cuban son with salsa, American Funk/R&B and the strong influence of Afro-Cuban folkloric music. Timba rhythm sections differ from their salsa counterparts, because timba emphasizes the bass drum, which is not used in salsa bands. Timba and salsa use the same tempo ...
Tresillo (/ trɛˈsiːjoʊ / tres-EE-yoh; Spanish pronunciation: [tɾeˈsiʎo]) is a rhythmic pattern (shown below) [1][2] used in Latin American music. It is a more basic form of the rhythmic figure known as the habanera. Tresillo is the most fundamental duple-pulse rhythmic cell in Cuban and other Latin American music.
Salsa is a Latin American dance, associated with salsa music. It originated in the late Eastern Cuba in the 1940's [ 1 ] and gained popularity in New York in 1960. Salsa is a mixture of Cuban dances, such as mambo, pachanga, and rumba, as well as American dances such as swing and tap. This dance is often performed with a partner.
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v. t. e. A guajeo (Anglicized pronunciation: wa-hey-yo) is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term guajeo for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones.
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