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The Crossing of the Red Sea, by Nicolas Poussin (1633–34). The Crossing of the Red Sea or Parting of the Red Sea (Hebrew: קריעת ים סוף, romanized: Kriat Yam Suph, lit. "parting of the sea of reeds") [1] is an episode in The Exodus, a foundational story in the Hebrew Bible.
Moses jumping over giant clams, while evading a javelin. The fish that represents the time limit can be seen in the top left. Moses parts the Red Sea and the player directs him between the parted waters. Moses must avoid obstacles such as seaweed and giant clams, as well as the pursuing Egyptians, by precisely timing his movements and jumping.
The Crossing of the Red Sea or Parting of the Red Sea (Hebrew: קריעת ים סוף, romanized: Kriat Yam Suph, lit. "parting of the sea of reeds") [27] is an episode in The Exodus, a foundational story in the Hebrew Bible. It tells of the escape of the Israelites, led by Moses, from the pursuing Egyptians, as recounted in the Book of Exodus ...
Nevertheless, they follow Moses out of Egypt. On the second day of their journey, Pharaoh and the Egyptian army attempt to recapture the Israelites. Moses parts the red sea and crosses with the Israelites, then unparts the sea, swarming the Egyptians with water. Moses continues to preach the word of God to the Israelites as they walk for forty ...
The Crossing of the Red Sea is a fresco executed in 1481–1482 and located in the Sistine Chapel, Vatican City. Of uncertain attribution, it has been assigned to Cosimo Rosselli. It depicts the crossing of the Red Sea by the Israelites, from chapter 14 of the book of Exodus.
During the Exodus, Moses stretches his hand with the staff to part the Red Sea. While in the "wilderness" after leaving Egypt, Moses follows God's command to strike a rock with the rod to create a spring for the Israelites to drink from (Exodus 17:5–7). Moses does so, and water springs forth from the rock in the presence of the Elders of Israel.
The greatly enlarged work set to a French libretto was composed with so much additional music, including a substantial ballet, as to warrant a new title, Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (pronounced [mɔiːz e faʁaɔ̃ u lə pasaːʒ də la mɛːʁ ʁuːʒ]), and was seen to ...
Although Artapanus credits Moses with the foundation of the animal cults, he also claims that the "consecrated animals" were destroyed during the crossing of the Red Sea. [1] This suggests that, according to Artapanus, Moses' contributions to Egyptian society were ultimately less important than the original purpose of this folk hero: to lead ...
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