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The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
The Chords were an American doo-wop vocal group formed in 1951 in The Bronx, [1] known for their 1954 hit "Sh-Boom", which they wrote. [ citation needed ] It is the only song they created that reached mainstream popularity.
"Pop Life" is a song by Prince and the Revolution. It was the second US (and final UK ) single from their 1985 album, Around the World in a Day , reaching number 7 in the US charts, becoming Prince's eighth top-ten hit in a two-year span.
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders. [f] [18]
In August 2010, The Chords went back on the road with their original line-up, promoting the single, "Another Thing Coming", and playing gigs across the UK. They also toured Australia and Japan in 2012. A DVD, What Became of the People We Used To Be - The History of The Chords was available from May 2012, charting the band's rise to cult status.
"Easy" is a song by American band Commodores from their fifth studio album, Commodores (1977), released on the Motown label. Group member Lionel Richie wrote "Easy" with the intention of it becoming another crossover hit for the group given the success of a previous single, "Just to Be Close to You", which spent two weeks at number one on the US Billboard Hot Soul Singles chart (now known as ...
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Seventh chords are tertian chords, constructed by adding a fourth note to a triad, at the interval of a third above the fifth of the chord. This creates the interval of a seventh above the root of the chord, the next natural step in composing tertian chords. The seventh chord built on the fifth step of the scale (the dominant seventh) is the ...