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Rasipuram Krishnaswami Narayanaswami (10 October 1906 – 13 May 2001), [1] better known as R. K. Narayan, was an Indian writer and novelist known for his work set in the fictional South Indian town of Malgudi. He was a leading author of early Indian literature in English along with Mulk Raj Anand and Raja Rao.
Kurigalu Saar Kurigalu (transl. Sheep Sir Sheep) is a 2001 Indian Kannada-language comedy film directed and written by Rajendra Singh Babu.The film stars Ramesh Aravind, S. Narayan, Mohan, Bhavana, Ruchita Prasad, and Ananth Nag in lead roles.
Rasipuram Krishnaswami Laxman [1] (24 October 1921 – 26 January 2015) was an Indian cartoonist, illustrator, and humorist. [2] He was best known for his creation The Common Man and for his daily cartoon strip, You Said It in The Times of India , which started in 1951.
Tirangaa (transl. Tricolour) is a 1993 Indian action drama film starring Raaj Kumar, Nana Patekar, Varsha Usgaonkar, Harish Kumar and Mamta Kulkarni. [2] The movie was a blockbuster. [3]
Anyway, Ram Narayan is annoyed by the lifestyle of Laxman and considers him the black sheep of the family. During his daily grind of gaming, Laxman meets Rita and falls for her younger sister Seema. Meanwhile, Ram Narayan holds a jewelry store, Rita asks for a charm which turns fake after delivery.
Bhor [2] [3] is an Indian Hindi-language film directed by Kamakhya Narayan Singh and Produced by Anjani Kumar Singh. [4] [5] [6] It stars Nalneesh Neel, Saveree Sri Gaur, Devesh Ranjan, Pavleen Gujral. [7] [8] The movie is streaming on MX Player. [9]
Thakur Shankar Singh Arjun Singh's Father Tiku Talsania: Narayan Singh Seth Chand Usmani: Ranjana Prasad Villager Joginder: Sattar Kaala Naag's Henchman Dev Kumar: Vikraal Bob Christo: Robert Praveen Kumar: Mukhtar Surendra Pal: Rakesh Bhushan Tiwari: Imbibe Sudhir: Jaichand Arjun Singh's Man Annu Kapoor: Gopal Lilliput: Vinayak Gurbachan Singh ...
The film premiered at Debussy Theatre in Cannes to a full house where it received a ten minute standing ovation, reported film critic Uma Da Cunha in The Citizen. [8] She noted "the film excels in the minimal devices it uses for dramatising what it says, relying on facial expressions, individual responses and a simple unveiling of events to convey its harrowing story" adding that "The ...