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A bisque porcelain bust. Biscuit [1] [2] [3] [4] (also known as bisque) refers to any pottery that has been fired in a kiln without a ceramic glaze.This can be a ...
A popular use for biscuit porcelain was the manufacture of bisque dolls in the 19th century, where the porcelain was typically tinted or painted in flesh tones. In the doll world, "bisque" is usually the term used, rather than "biscuit". [4] Parian ware is a 19th-century type of biscuit. Lithophanes were normally made with biscuit.
In woodworking and the decorative arts, refinishing (also repolishing in the UK)refers to the act of repairing or reapplying the wood finishing on an object. [1] paint, wood finish top coat, [citation needed] wax, lacquer or varnish are commonly used. [2] The artisan or restorer is traditionally aiming for an improved or restored and renewed ...
A table given a distressed finish, with a historical paint colour, edges that have been sanded down to expose the wood, and vintage hardware attached to the drawers. Distressing (or weathered look ) in the decorative arts is the activity of making a piece of furniture or object appear aged and older, giving it a "weathered look".
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimise the adherence of pollutants. [1] Glazing renders earthenware impermeable to water, sealing the inherent porosity of earthenware. It also gives a tougher surface.
Usually thin press moulded shapes are applied to greenware or bisque. The resulting pottery is termed sprigged ware, [1] and the added piece is a "sprig". The technique may also be described by terms such as "applied relief decoration", especially in non-European pottery.
At the same time in China, green-glazed pottery dating back to the Han period (25–220 AD) gave rise eventually to the sancai ('three-color') Tang dynasty ceramics, where the white clay body was coated with coloured glazes and fired at a temperature of 800 degrees C. Lead oxide was the principal flux in the glaze.
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