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The Otherworld is elusive, but various mythical heroes—such as Cúchulainn, Fionn and Bran—visit it either through chance or after being invited by one of its residents. In Irish myth and later folklore, the festivals of Samhain and Beltane(Bealtaine) are liminal times, when contact with the Otherworld was more likely. [1]
The origins of these stories are attributed to three sources of preexisting stories: Irish myths, Christian genres, and Classic Stories. The Otherworld in The Voyage of Bran is a distinctly Celtic feature but this is easily overlooked because the concept of the Christian paradise and the British and Irish otherworld are closely related. This ...
Tír na nÓg is depicted as an island paradise and supernatural realm of everlasting youth, beauty, health, abundance and joy. [5] [6] Its inhabitants are described as the Tuatha Dé Danann or the warriors of the Tuatha Dé, the gods of pre-Christian Ireland, who engage in poetry, music, entertainment, and the feast of Goibniu, which grants immortality to the participants.
In Irish mythology, Mag Mell (modern spelling: Magh Meall, meaning 'delightful plain') [1] is one of the names for the Celtic Otherworld, a mythical realm achievable through death and/or glory. Unlike the underworld in some mythologies, Mag Mell was a pleasurable paradise, identified as either an island far to the west of Ireland or a kingdom ...
Otherworld depicted by Arthur Rackham in Irish Fairy Tales (1920). In historical Indo-European religion, the concept of an otherworld, also known as an otherside, is reconstructed in comparative mythology. Its name is a calque of orbis alius (Latin for "other world/side"), a term used by Lucan in his description of the Celtic Otherworld.
After the theatre show, visitors entered the interactive Celtic Otherworld exhibition. This area included quizzes, information on women in Irish mythology, ogham stones, Aos Sí, an £18,000 replica Book of Kells, and an artificial tree with talking animatronic human heads. [7] [8] [9] [4] The exit was via a gift shop. [8]
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