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In some tales, the Otherworld is reached by going under the waters of pools, lakes, or the sea, or else by crossing the western sea. [1] In Irish Immrama ("voyage") tales, a beautiful young Otherworld woman often approaches the hero and sings to him of this happy land. Sometimes she offers him an apple, or the promise of her love in exchange ...
Otherworld depicted by Arthur Rackham in Irish Fairy Tales (1920). In historical Indo-European religion, the concept of an otherworld, also known as an otherside, is reconstructed in comparative mythology. Its name is a calque of orbis alius (Latin for "other world/side"), a term used by Lucan in his description of the Celtic Otherworld.
The origins of these stories are attributed to three sources of preexisting stories: Irish myths, Christian genres, and Classic Stories. The Otherworld in The Voyage of Bran is a distinctly Celtic feature but this is easily overlooked because the concept of the Christian paradise and the British and Irish otherworld are closely related. This ...
Tír na nÓg is depicted as an island paradise and supernatural realm of everlasting youth, beauty, health, abundance and joy. [5] [6] Its inhabitants are described as the Tuatha Dé Danann or the warriors of the Tuatha Dé, the gods of pre-Christian Ireland, who engage in poetry, music, entertainment, and the feast of Goibniu, which grants immortality to the participants.
Irish mythology is the body of myths indigenous to the island of Ireland. It was originally passed down orally in the prehistoric era . In the early medieval era , myths were written down by Christian scribes, who Christianized them to some extent.
The Silver Branch or Silver Bough (Irish: An Craobh Airgid) is a symbol found in Irish mythology and literature. Featured in the Irish poem The Voyage of Bran and the narrative Cormac's Adventure in the Land of Promise, it represents entry into the Celtic Otherworld or Tír na nÓg.
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