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Shirli-myrli (Russian: Ширли-мырли, also released as What a Mess!) is a 1995 farce comedy film of the early post-soviet era directed by Vladimir Menshov. [1] Centered around a pursued con man, who stole a huge diamond, the movie, among other things, satirizes chauvinism, antisemitism and other ethnic tensions in the 1990s Russia.
The 1960s and 1970s saw the creation of many films, many of which molded Soviet and post-Soviet culture. They include: Five Days, Five Nights (1960), the first of the joint Soviet-German films; Walking the Streets of Moscow (1963) Operation Y and Shurik's Other Adventures (1965) and its sequel, Kidnapping, Caucasian Style (1966)
Although Russian was the dominant language in films during the Soviet era, the cinema of the Soviet Union encompassed films of the Armenian SSR, Georgian SSR, Ukrainian SSR, and, to a lesser degree, Lithuanian SSR, Byelorussian SSR, and Moldavian SSR. For much of the Soviet Union's history, with notable exceptions in the 1920s and the late ...
Films about the Soviet Union in the Stalin era (5 C, 63 P) V. ... Man with a Movie Camera; Man Without a Name (1932 film) ... (2012 Russian film) The Spy Who Loved Me ...
Russian empire Yolki 1914: Ёлки 1914 2014 1914 Admiral: Адмиралъ 2008 1914–1917, 1964 World War I, Russian Revolution, Russian Civil War: Aleksandr Kolchak: Matilda: Матильда 2017 1890–1896 Matilda Kshesinskaya and Nicholas II Wild League: Дикая Лига 2019 1909 Raspoutine: Распутин 2011 1916 Grigori Rasputin
Russia, 2003. As the film scholar Josephine Woll observes, the protagonist Veronika was instrumental in shaping the post-Stalinist Soviet movies by heralding more complicated multi-dimensional celluloid heroines and focusing on the impact of war on common people. It was not only Soviet audiences that accepted and sympathised with Veronika's story.
The depiction of such things was an implicit affront to state-approved imagery and Soviet conventions. Film of the era are categorised as dark, profane and confronting – commonly compared to those of film noir. The films derived from the parallel cinema era embody the Russian concept of "chernukha " (roughly "black stuff
Russian science fiction emerged in the mid-19th century and rose to its prominence during the Soviet era, both in cinema and literature, with writers like the Strugatsky brothers, Kir Bulychov, and Mikhail Bulgakov, among others. Soviet filmmakers produced a number science fiction and fantasy films.