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"The wind shifts" explains why John Gould Fletcher detected a poet out of tune with life and with his surroundings. (See the main Harmonium essay.) Buttel cites this poem as an example of Stevens's mastery of repetition within free verse. The repetition of "the wind shifts" underscores the associated human feelings, and "heavy and heavy" adds ...
Theodore Huebner Roethke (/ ˈ r ɛ t k i / RET-kee; [1] May 25, 1908 – August 1, 1963) was an American poet. He is regarded as one of the most accomplished and influential poets of his generation, having won the Pulitzer Prize for poetry in 1954 for his book The Waking, and the annual National Book Award for Poetry on two occasions: in 1959 for Words for the Wind, [2] and posthumously in ...
Published in 1922, the 434-line [A] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November issue of The Dial. Among its famous phrases are "April is the cruellest month", "I will show you fear in a handful of dust", and "These fragments I have shored against my ...
The windmill allegedly inspired Longfellow's poem, "The Windmill." [ 2 ] About ten years after it was attached to the home, Longfellow sent Greene a copy of the poem and, in a letter dated April 18, 1880, speculated "I think this is the first ever poem on the subject."
"It is the first mild day of March:" Poems of Sentiment and Reflection: 1798 A whirl-blast from behind the hill 1798, 18 March "A Whirl-Blast from behind the hill" Poems of the Fancy: 1800 Expostulation and Reply: 1798 " 'Why, William, on that old grey stone," Poems of Sentiment and Reflection: 1798 The Tables Turned: 1798
"I Wandered Lonely as a Cloud" (also sometimes called "Daffodils" [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk with his younger sister Dorothy, when they saw a "long belt" of daffodils on the shore of Ullswater in the English Lake District. [4]
He also wrote a comic poem while in the hospital, mocking his own incurable disease. It was read by his friends, who appreciated the consistent irreverence with which Haldane had lived his life. The poem first appeared in print on 21 February 1964 issue of the New Statesman, and runs: [59] [60]
In the poem, the narrator admires the bird as it hovers in the air, suggesting that it controls the wind as a man may control a horse. The bird then suddenly swoops downwards and "rebuffed the big wind". The bird can be viewed as a metaphor for Christ or of divine epiphany. Hopkins called "The Windhover" "the best thing [he] ever wrote". [2]