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Rawsthorne's compositions and arrangements are found in many contemporary collections of organ music. His Hornpipe Humoresque is an amusing set of variations on the familiar Sailor's Hornpipe, in the styles of Bach (Brandenburg Concerto No. 3, 1st movement), Vivaldi ("Spring," 1st movement, from The Four Seasons), Arne (Rule Britannia) and Widor ("Toccata" from Symphony for Organ No. 5).
Noel Rawsthorne: Hornpipe Humoresque for organ, based on The Sailor's Hornpipe and including parts of "Rule, Britannia!" and the Toccata from Widor's Symphony for Organ No. 5 [citation needed] See also
Giants of the Organ in Concert is a live album by American jazz organists Jimmy McGriff and Groove Holmes recorded in Boston in 1973 and originally released on the Groove Merchant label as a double LP. [1] [2] [3] [4]
The following is a list of notable organists from the past and present who perform organ literature This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Hymne pour l’élévation in D major for organ, H 100 (1844) Sérénade agreste à la Madone sur le thème des pifferari romains in E flat major for organ, H 98 (1844) Toccata in C major for organ, H 99 (1844) Boëllmann, Léon. Suite Gothique; Nimrod Borenstein. Monologue opus 50 for solo organ (2008) Kol Nidreï opus 10 for solo organ (1996 ...
An associate of Virgil Fox, [1] he performed during his career on some of the largest pipe organs in the United States and made numerous compact disc recordings. [2] [3]Between 1966 and 1978 he toured throughout the U.S. and Canada with organist Andy Crow [4] as the Worth/Crow Duo; the duo were managed on the tour by Columbia Artists Management.
A music video was made for this track, and can be found on the DVD, Elements – The Best of Mike Oldfield. Shot in Oldfield's Througham studio, it shows four female folk dancers who dance barefoot around the studio, while Oldfield is seen playing various instruments.
Samuel Pepys referred to the dance in his diary as "The Jig of the Ship" and Captain Cook, who took a piper on at least one voyage, is noted to have ordered his men to dance the hornpipe in order to keep them in good health. [5] The dance on-ship became less common when fiddlers ceased to be included in ships' crew members.