Search results
Results from the WOW.Com Content Network
The statue was a gift from the people of Nii-jima (an island 163 kilometres (101 mi) from Tokyo but administratively part of the city) inspired by Easter Island moai. The name of the statue was derived by combining "moai" and the dialectal Japanese word moyai (催合い) 'helping each other'.
The statue was a gift from the people of Nii-jima (an island 163 kilometres (101 mi) from Tokyo but administratively part of the city) inspired by Easter Island moai. The name of the statue was derived by combining "moai" and the dialectal Japanese word moyai ( 催合い ) 'helping each other' .
While sculpting was going on, the volcanic stone was splashed with water to soften it. While many teams worked on different statues at the same time, a single moai took a team of five or six men approximately a year to complete. Each statue represented the deceased head of a lineage. [citation needed] Only a quarter of the statues were installed.
Those moai with pukao are meant to be shown as more majestic and important. This distinction may have also indicated to islanders those statues at which various rituals should be performed. [ 4 ] Pukao are now believed to represent hair [ 5 ] because it was the custom for high-ranking men to have long hair tied in a bun on the top of their heads.
Hoa Hakananai'a is a moai, a statue from Easter Island. It was taken from Orongo , Easter Island (Rapa Nui) in 1868 by the crew of a British ship and is now in the British Museum in London. It has been described as a "masterpiece" [ 1 ] and among the finest examples of Easter Island sculpture. [ 2 ]
The statues on the island invariably faced the village as a protective mana, but in the case of the Ahu Akivi statues they face towards the sea. There is a legend narrated for this positioning of the seven statues. It is conjectured that the Rapanui people did it to propitiate the sea to help the navigators. However, according to an oral ...
The most visible element in the culture was the production of massive statues called moai that represented deified ancestors. It was believed that the living had a symbiotic relationship with the dead where the dead provided everything that the living needed (health, fertility of land and animals, fortune, etc.), and the living through offerings provided the dead with a better place in the ...
The moai with headgear at Ahu Tahai, restored with coral eyes by the American archaeologist William Mullo. The moai in the park are of varying height from 2 to 20 metres (6 to 65 ft). The volcanic rock formations quarried for sculpting are a distinctive yellow-brown volcanic tuff found only at the Ranu Raraku on the southeast side of the island.