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  2. Noguchi table - Wikipedia

    en.wikipedia.org/wiki/Noguchi_table

    The Noguchi table was an evolution of a rosewood and glass table Noguchi designed in 1939 for A. Conger Goodyear, president of the Museum of Modern Art. [1] The design team at Herman Miller was so impressed by the table's use of biomorphism that they recruited Noguchi to design a similar table with a freeform sculptural base and biomorphic glass top for use in both residential and office ...

  3. Art Nouveau furniture - Wikipedia

    en.wikipedia.org/wiki/Art_Nouveau_furniture

    The furniture Mackintosh designed was inspired by Arts and Crafts, austere and geometrical, with long straight lines and right angles, to which MacIntosh and his wife added touches of Art Nouveau decoration, using painted wood, marquetry of enamel and stained glass and fabrics such as painted silk. [15]

  4. Isamu Noguchi - Wikipedia

    en.wikipedia.org/wiki/Isamu_Noguchi

    Isamu Noguchi (野口 勇, Noguchi Isamu, English: / n ə ˈ ɡ uː tʃ i /; [2] November 17, 1904 – December 30, 1988) was an American artist, furniture designer and landscape architect whose career spanned six decades from the 1920s. [3]

  5. Émile Gallé - Wikipedia

    en.wikipedia.org/wiki/Émile_Gallé

    Cameo glass was a means of decorating cased glass. The cased glass of two or more colors was carved with a diamond saw or etched with acid, so that the colors of the layer underneath were visible and created a design. Enamel glass was decorated on the outside by a brush of enamels colored by metallic oxides. [11]

  6. Victorian decorative arts - Wikipedia

    en.wikipedia.org/wiki/Victorian_decorative_arts

    Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .

  7. Art Nouveau glass - Wikipedia

    en.wikipedia.org/wiki/Art_Nouveau_glass

    Unlike the glass art of the Art Nouveau in France, the Secession glass designs were geometric and abstract, without the curving lines and natural forms of the earlier style. Leopold Forstner was an important artist in this domain, working closely with Otto Wagner and other architects.

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