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Ilya Iosifovich Kabakov (Ukrainian: Ілля Іосифович Кабаков; Russian: Илья́ Ио́сифович Кабако́в; September 30, 1933 – May 27, 2023) was an American and Soviet conceptual artist, born in Dnipropetrovsk in what was then the Ukrainian SSR of the Soviet Union, now Ukraine.
Since emigrating to the West, Kabakov's work has slowly and cautiously taken on new meaning. His installation at the 2003 Venice Biennale was an independent exhibition, rather than in the Russian or American pavilions. Kabakov's Where is Our Place? is a literal question posed to viewers. A gallery is decorated with an exhibition of modern art ...
The members of this group were: Ilya Kabakov, [20] Ülo Sooster, Eduard Steinberg, Erik Bulatov, Sergey Shablavin, [21] Oleg Vassiliev, Viktor Pivovarov, Vladimir Yankilevsky, and sculptor Ernst Neizvestny. The artists' studios were also used as venues to show and exchange ideas about unofficial art.
Emilia Kabakov (born 1945) is an American artist born in Dnepropetrovisk, USSR (now Dnipro, Ukraine), whose work is most closely associated with conceptualism and installation art. Since 1988, she has been frequently collaborating with her husband Ilya Kabakov .
The central figures of the movement were Ilya Kabakov, Irina Nakhova, Viktor Pivovarov, Eric Bulatov, Andrei Monastyrski, Komar and Melamid, poets Vsevolod Nekrasov (), Dmitri Prigov, Lev Rubinstein, Anna Alchuk, Timur Kibirov, artist and prose writer Vladimir Sorokin, and also such writers as Viktor Yerofeyev and Julia Kissina.
A. Priidu Aavik; Tamar Abakelia; Abdul Khalig; Mikayil Abdullayev; Fuad Abdurahmanov; Nadir Abdurrahmanov; Mikhail Adamovich; Taisia Afonina; Vladimir Ageyev; Mayis ...
The artists Christian Boltanski (France), Bill Viola (United States) and Ilya Kabakov (United States) were invited as special guests. Moscow exhibitions of contemporary art were selected for the parallel program, which coincided with the Biennale and were announced by galleries and exhibition halls. Thus, about 300 artists took part in the event.
The artist and critic Ilya Kabakov mentions this essential phenomenon in the introduction to his lectures "On the "Total" Installation": "[One] is simultaneously both a 'victim' and a viewer, who on the one hand surveys and evaluates the installation, and on the other, follows those associations, recollections which arise in him[;] he is ...