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The seal of Mani, the oldest known Manichaean art. Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures. [1]One of Mani's primary beliefs was that the arts (namely painting, calligraphy, and music) were of the same esteem as the divine spirit (Middle Persian: Mihryazd), believing that the creation of art was comparable to god's creation of ...
Black and white photos published on "Guo Hua" Details of the main image: the jewel ring worn on the chest, the black square pattern on the white robe Lianhuatai details: the performance of the mani Lotte, it can be seen that his costume also has the style of Western Regions
Fragment of Manichaean Wall Painting "MIK Ⅲ 6918" is a fragment of a Manichaean mural collected in Germany Berlin Asian Art Museum, painted around the 10th century AD, and was found by the German Turpan expedition team in the ruins of Gaochang, in Xinjiang. The fragment is 88 centimeters long and 168.5 centimeters wide.
The layout on the back of the broken page is completely different from the front. The text here is written on the right side of the page and divided into upper and lower parts. The upper part of the book is written in red and the lower part is written in black. The left side of the page is filled with a bright plant flower ornament.
Analysis by Zsuzsanna Gulácsi. Like the other two Manichaean works "Sermon on Mani's Teaching of Salvation" and "Mani's Community Established", this picture also depicts several scenes, but it is different from the former and the latter in terms of levels With the collage technique, the distinction and boundary between the various scenes in this painting is not obvious, and the picture is ...
Mani's Community Established (Japanese: 圣者伝図2) is a Manichaen silk color painting drawn in the coastal area of southern China during the yuan to ming period, [1] depicts the missionary history of Manichaeism and the establishment of its churches in three scenes.
The Birth of Mani is a Manichean silk cloth color painting painted in the Fujian Zhejiang area during the Yuan period, depicting the founder of the sect Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". [1]
Drawing attention to the depiction of a flower in the central part of the fragment, Samuel N. C. Lieu instead interprets the fragment as a visionary scene of penitence in the context of the Manichaean doctrine of the imprisonment of Light in living things: "The fear is so apparent on their [the elects'] faces that von Le Coq's original ...
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