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Visually, the tanpura resembles a simplified sitar or similar lute-like instrument, and is likewise crafted out of a gourd or pumpkin. The tanpura does not play a melody , but rather creates a meditative ambience, supporting and sustaining the performance of another musician or vocalist, as well as for musicians accompanying a dance performance.
[3] The Badachstan dambura is similar to the Turkestani dambura, but it is a bit smaller, and the neck and body are carved from one single piece of (usually mulberry) wood. [3] The Punjabi tanburag is a long-neck lute with a big bowl, and has three metal strings, called tanburag [tanboorag] or dhambura, but also called damburo, or kamach(i). [3]
The strings, grouped in units of 3 or 4, are tied on nails or pins on the left side of the instrument and are stretched over the sound board on top of the bridges to the right side. On the right side there are steel tuning pegs or tuning pins, as they are commonly known, that allows tuning each unit of strings to a desired musical note or a ...
Most importantly, there are some differences in preferences for the positioning of sympathetic (taraf) string pegs (see photo). Amongst all sitar styles, there are student styles, beginner models, semi-pro styles, pro-models, master models, and so on. Prices are often determined by the manufacturer's name and not by looks alone or materials used.
The javari of a sitar will be made according to the wishes of the player, either 'open',('khula') with a bright sounding javari-effect, or 'closed' ('band') with a relatively more plain tone, or something in between ('ghol'). The choice depends on the preference of the sitar-player and on the adapted playing style.
He is accompanied by two tanpura players, a harmonium player and a tabla player. The basic ensemble of a khyal performance consists of the featured soloist(s), an accompanist (or two) on a melody-producing instrument, a tabla player, and one or two accompanists on the tanpura, the drone-producing instrument. A possible addition to the basic ...
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Ravi Shankar, a master of the instrument, was the first to make inroads into Western culture with the sitar.. While the sitar had earlier been used in jazz and Indian film music, it was from the 1960s onwards that various pop artists in the Western world began to experiment with incorporating the sitar, a classical Indian stringed instrument, within their compositions.