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Russian poetry has always inspired recitation and a rapt response from the reciter's audience, but Mr. Voznesensky, and his contemporary Yevgeny Yevtushenko, are perhaps the first Russian poets to exploit this in the actual process of composition—to write poems specifically for performing, as pop songs are written for electronic transmission ...
Loving offenders, I excuse you both thus: you love her, because you know I love her; similarly, she abuses me for my sake, in allowing my friend to have her. If I lose you, my loss is a gain to my love; and losing her, my friend picks up that loss. Both find each other, I lose both, and both lay this cross on me for my sake.
In addition to writing his own work, Lilburn is the editor of, and a contributor to, two influential essay collections on poetics, Poetry and Knowing and Thinking and Singing: Poetry and the Practice of Philosophy. [8] Lilburn was a judge for the 2011 Griffin Poetry Prize. In 2017 he received HOMER - The European Medal of Poetry and Art [9]
Dargomyzhsky's setting of the poem. "I Loved You" (Russian: Я вас любил - Ya vas lyubíl) is a poem by Alexander Pushkin written in 1829 and published in 1830. It has been described as "the quintessential statement of the theme of lost love" in Russian poetry, [1] and an example of Pushkin's respectful attitude towards women.
Losing a loved one is never easy. And when someone close to you is grieving a loss, it's important to show that you care.But sometimes, finding the right words to say can be somewhat difficult. As ...
"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
Its reimagining for the big screen also stars Oscar winner Michelle Yeoh as Madame Morrible and Game of Thrones' Peter Dinklage as the voice of Doctor Dillamond - who is an animated goat.
Modern Love by George Meredith is a sequence of fifty 16-line sonnets about the failure of a marriage, an episodic verse narrative that has been described as "a novella in verse". [1] Earlier working titles for the sequence were "The Love-Match" and then "The Tragedy of Modern Love". [2]