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Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete Seeger) Open string tuning; often played with capo on 3rd fret Banjo, tenor 4 strings 4 courses. Standard/common : C 3 G 3 D 4 A 4. Alternate: Irish : G 2 D 3 A 3 E 4; US US ...
This facilitated tenor banjo chord shapes on the bottom four strings and plectrum banjo chord shapes on the top four strings. Contemporary New York jazz-guitarist Marty Grosz uses this tuning. All-fifths tuning has been approximated by the so-called " New Standard Tuning " (NST) of King Crimson 's Robert Fripp , in which NST replaces all-fifths ...
The most commonly used tuning is A-E-A-E. Likewise banjo players in this tradition use many tunings to play melody in different keys. A common alternative banjo tuning for playing in D is A-D-A-D-E. Many Folk guitar players also used different tunings from standard, such as D-A-D-G-A-D, which is very popular for Irish music.
One of the most respected tenor banjo players in Ireland, Enda Scahill, had just played a finger-flying, knee-bobbing jig with other well-known traditional Irish musicians at the meet-and-greet ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
violin, cello, mandolin, tenor banjo: Repetition: No: Advantages: Wide range; natural for concert stringed-instrument music: Disadvantages: Difficult to play standard-guitar music: Left-handed tuning: All-fourths tuning: Associated musician; Guitarist: Carl Kress: Carl Kress played jazz with all-fifths tuning. Regular tunings ; Trivial : Minor ...
The Irish bouzouki (Irish: búsúcaí) [1] is an adaptation of the Greek bouzouki (Greek: μπουζούκι).The newer Greek tetrachordo bouzouki (4 courses of strings) was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men, who retuned it from its traditional Greek tuning C³F³A³D⁴ to G²D³A³D⁴, a tuning he had pioneered ...
The instruments that are known in the US as the mandola and the octave mandolin tend to be known in Great Britain and Ireland as the tenor mandola or the octave mandola. The Irish bouzouki is a very similar instrument, and is often confused with the octave mandolin, but it has a shorter scale length and a different tuning.
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