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They used Egyptian blue in the wall paintings of Knossos, in Crete, around 2100 BC. It was not one of the four primary colors for Greek painting described by Pliny the Elder (red, yellow, black, and white), but nonetheless it was used as a background color behind the friezes on Greek temples and to color the beards of Greek statues. [18]
Lapis lazuli (UK: / ˌ l æ p ɪ s ˈ l æ z (j) ʊ l i, ˈ l æ ʒ ʊ-,-ˌ l i /; US: / ˈ l æ z (j) ə l i, ˈ l æ ʒ ə-,-ˌ l i /), or lapis for short, is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color.
Its lightness makes it easy to affix to walls. Many 12th-century stucco figures survived in pristine condition because of the preserving dryness of the desert where they were found. Seljuk stucco figures were painted in bright colors of blue (powdered lapis lazuli), red (powdered ruby), and black colors, and were gilded with gold. [3]
Blue pigments are natural or synthetic materials, usually made from minerals and insoluble with water, used to make the blue colors in painting and other arts. The raw material of the earliest blue pigment was lapis lazuli from mines in Afghanistan, that was refined into the pigment ultramarine .
In paintings, Mary is traditionally portrayed in blue. This tradition can trace its origin to the Byzantine Empire , from circa 500 AD, where blue was "the color of an empress". A more practical explanation for the use of this color is that in Medieval and Renaissance Europe , the blue pigment was derived from the rock lapis lazuli , a stone ...
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. [2] Its lengthy grinding and washing process makes the natural pigment quite valuable—roughly ten times more expensive than the stone it comes from and as expensive as gold.
In the panel with the Virgin and Christ Child, the garments are universally blue, the pigment coming from the semi-precious stone lapis lazuli. Richard's robe uses vermilion, another expensive pigment. Some colours have faded; the roses in the angels' hair would originally have been a much deeper pink, and the green grass of the outer hart ...
From the inception of faience in the archaeological record of Ancient Egypt, the elected colors of the glazes varied within an array of blue-green hues. Glazed in these colours, faience was perceived as substitute for blue-green materials such as turquoise, found in the Sinai Peninsula, and lapis lazuli from Afghanistan. [7]
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