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  2. Find the Best Graphite Transfer Paper for Transferring Images

    www.aol.com/news/best-graphite-transfer-paper...

    Try using graphite transfer paper, a great tool for speeding up your art-making process. It works similarly to carbon paper but is made specifically for artists and designers. While carbon paper ...

  3. Stone rubbing - Wikipedia

    en.wikipedia.org/wiki/Stone_rubbing

    Stone rubbing at the Vietnam Veterans Memorial A National Park Service volunteer kneels and uses paper and a graphite stick to create a rubbing of a name from the Vietnam Veterans Memorial. Stone rubbing is the practice of creating an image of surface features of a stone on paper. The image records features such as natural textures, inscribed ...

  4. List of art media - Wikipedia

    en.wikipedia.org/wiki/List_of_art_media

    Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.

  5. Conté - Wikipedia

    en.wikipedia.org/wiki/Conté

    Some artists create entire paintings with them, using them more like pastels than like a drawing medium. They are also used often to sketch under pastel paintings or lay down initial layers before using dry pastels. Colors can be layered to produce different hues or values. Color Conté mixes better on paper than many hard pastel products.

  6. Pouncing - Wikipedia

    en.wikipedia.org/wiki/Pouncing

    Pouncing has been a common technique for centuries, used to create copies of portraits and other works that would be finished as oil paintings, engravings, and so on. The most common method involves laying semi-transparent paper over the original image, then tracing along the lines of the image by creating pricked marks on the top sheet of paper.

  7. Silverpoint - Wikipedia

    en.wikipedia.org/wiki/Silverpoint

    The discovery of graphite deposits at Seathwaite in Borrowdale, Cumbria, England, in the early 1500s, and its increasing availability to artists in a pure, soft (and erasable) form hastened silverpoint's eclipse. Artists sought more gestural qualities, for which graphite, red and black chalk were better suited.

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