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Recently in Siberia, music groups drawing on knowledge of shamanic culture have emerged. In the West, shamanism has served as an imagined background to music meant to alter a listener's state of mind. Korea and Tibet are two cultures where the music of shamanic rituals has interacted closely with other traditions.
The shamanic ceremony is both a religious ceremony and an artistic performance. The dramatic displays are not to draw attention or to create a spectacle, but to lead the tribe in a solemn ritualistic process. Performances consist of four elements: dance, music, poetry and dramatic or mimetic action.
It is a modern adaptation of traditional Korean musics, namely the ritual farming music nongak and Korean shamanic music muak, for the indoor stage. As per its name, samul nori is performed with four traditional Korean musical instruments: a small gong kkwaenggwari, the larger gong jing, an hourglass-shaped drum janggu; and a barrel drum called ...
Shaman was the second incarnation of Korpiklaani, formed in 1997 which is notable for the heavy use of original native Sámic music elements and lyrics in Northern Sámi. The band's music was based on the folk music of Shamaani Duo. [5] The most widely used elements are the shamanic drum, yoik and humppa.
A Russian traveler described a Khanty shamanic séance: it took place in a birch bark tent in full darkness. Only the song and the dombra music of the shaman could be heard: he invoked his spirits. It was performed in a way to suggest the direction of the sound was moving: implying that the shaman had flown around inside the tent before leaving it.
Shamanism is a spiritual practice that involves a practitioner (shaman) interacting with the spirit world through altered states of consciousness, such as trance. [3] [4] The goal of this is usually to direct spirits or spiritual energies into the physical world for the purpose of healing, divination, or to aid human beings in some other way. [3]
The Finnish folk metal band Sháman (now known as Korpiklaani) introduced what some call "yoik metal" in the late 1990s, drawing attention to Sámi music in the heavy metal scene. Their music incorporated Sámi elements such as yoik singing, Sámi lyrics, and shamanic drum. The vocalist has also yoiked for fellow Finnish folk metal band ...
Manchurian music has no known notation and is largely based upon the pentatonic system. This system employs five modes, “the Kung, Shang, Chiao, Chih, and Yu (these are the equivalent of do, re, mi, sol, la,)," with 7 notes within each mode. [4] Traditionally, shamanic melodies are heavily based on 3 notes with a very narrow pitch range. [4]