Search results
Results from the WOW.Com Content Network
The director Luc Besson timed the sequences of the scene to the song's guitar chords, which took many hours, and the bass riff was used to signify humanity's first contact with aliens. The opening sequence had originally been storyboarded with the intention of 'Space Oddity' being played in the background, with Besson saying "It's almost a ...
Prelude is the eighth studio album by Brazilian keyboardist Eumir Deodato, released in 1973. [1] [7] With the signature track "Also Sprach Zarathustra (2001)" (an arrangement of the theme from 2001: A Space Odyssey), Prelude also features one of the most heavily sampled drum breaks in the early hip hop cannon.
The "(2001)" mentioned is a reference to the soundtrack for the film 2001: A Space Odyssey. Released as the album's first single in early 1973, his rendition peaked at number 2 on the U.S. Billboard Hot 100 singles chart on 31 March 1973 (behind Roberta Flack 's " Killing Me Softly with His Song "), number 3 in Canada, [ 4 ] and number 7 on the ...
The final track on the album, "Space Odyssey", is a musical retelling of Arthur C. Clarke's short story "The Sentinel", which was also the inspiration for Stanley Kubrick's 1968 film, 2001: A Space Odyssey. [28] The song makes extensive use of the Moog modular synthesizer and features a droning, dirge-like melody reminiscent of a sea shanty.
Discover the best free online games at AOL.com - Play board, card, casino, puzzle and many more online games while chatting with others in real-time.
2001: A Space Odyssey is a soundtrack album to the film of the same name, released in 1968.The soundtrack is known for its use of many classical and orchestral pieces, and credited for giving many classical pieces resurgences in popularity, such as Johann Strauss II's 1866 Blue Danube Waltz, Richard Strauss' symphonic poem Also sprach Zarathustra, and György Ligeti's Atmosphères.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Stanley Kubrick chose this piece and others by Ligeti for the scenes in deep space and those with the monolith in his 1968 film 2001: A Space Odyssey because its quality of mystery was a good sonic realization of his vision. [24] This resulted in the exposure of Ligeti's music to a much wider audience.