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the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
minor — Aeolian mode or natural minor scale: Aeolian on C. Play ... The A melodic minor scale, ascending and descending, on A. Play ...
The Aeolian mode is identical with the natural minor scale. Thus, it is ubiquitous in minor-key music. The following is a list of some examples that are distinguishable from ordinary minor tonality, which also uses the melodic minor scale and the harmonic minor scale as required. Traditional – "God Rest You Merry, Gentlemen"
The Dorian mode corresponds to the natural minor scale with a major sixth. The Phrygian mode corresponds to the natural minor scale with a minor second. The Locrian is neither a major nor a minor mode because, although its third scale degree is minor, the fifth degree is diminished instead of perfect.
Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (unfretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
A minor seventh would be added to the dominant "V" chord to increase tension before resolution (V 7 –i). [2] The roots of the chords belong to a modern phrygian tetrachord (the equivalent of a Greek Dorian tetrachord, [10] the latter mentioned above), that is to be found as the upper tetrachord of a natural minor scale (for A minor, they are: A G F E).
This chord occurs on different scale degrees in different diatonic scales: In a major scale, it is on the supertonic, mediant, and submediant degrees (, , and ). [3] This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii 7). In a natural minor scale, it is on the tonic, subdominant, and dominant degrees (, , and ). [4]
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