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Arts and Crafts design for Trellis wallpaper (1862) by William Morris Pastoral Recreation (1868) by William-Adolphe Bouguereau. While cottagecore arose as a named aesthetic in 2018, similar aesthetics and ideals existed prior to its inception. The ancient Greeks characterised Arcadia as a representation of an idyllic pastoral setting.
He created fifty different block-printed wallpapers, all with intricate, stylised patterns based on nature, particularly upon the native flowers and plants of Britain. His wallpapers and textile designs had a major effect on British interior designs, and then upon the subsequent Art Nouveau movement in Europe and the United States. [1]
Wallpaper and wallcoverings became accessible for increasing numbers of householders with their wide range of designs and varying costs. This was due to the introduction of mass production techniques and, in England, the repeal in 1836 of the Wallpaper tax introduced in 1712.
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
Morris's most iconic forms were unique plant-based compositions, in wallpaper from 1864 and printed textiles from 1874. Plants native to England were the essence of his design. C. F. A. Voysey made a huge contribution to the field. Although an architect by profession he was persuaded by his friend Arthur Heygate Mackmurdo to try designing ...
His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and ...
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