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Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1] Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the ...
The work most crucial to aesthetics as a strand of philosophy is the first half of his Critique of the Power of Judgment, the Critique of the Aesthetic Power of Judgment. It is subdivided in two main parts - the Analytic of the Beautiful and the Analytic of the Sublime, but also deals with the experience of fine art.
Aesthetics in Art Education: A Look Toward Implementation; More about Art, culture and Education; An history of aesthetics; The Concept of the Aesthetic; Aesthetics entry in the Routledge Encyclopedia of Philosophy; Philosophy of Aesthetics entry in the Philosophy Archive; Washington State Board for Community & Technical Colleges: Introduction ...
As a philosophy, aesthetics was developed in 18th century Germany by Emmanuel Kant. [7] However, Greek and Roman philosophers such as Aristotle [8] and Plato [9] engaged in the rhetorical debate of aesthetic perception and properties as a separate branch of philosophy in defining the parameters of art and beauty. [7]
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx. It involves a dialectical and materialist , or dialectical materialist , approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth.
Aestheticism has its roots in German Romanticism.Though the term "aesthetic" derives from Greek, Alexander Gottlieb Baumgarten's Aesthetica (1750) made important use of it in German before Immanuel Kant incorporated it into his philosophy in the Critique of Judgment (1790).
Applied aesthetics is the application of the branch of philosophy of aesthetics to cultural constructs. In a variety of fields, artifacts (whether physical or abstract) are created that have both practical functionality and aesthetic affectation.
In Croce's Preface to the 1902 edition of Aesthetics he states that aesthetics is essential and a study prior to metaphysics. [9] Croce believe that a cogent analysis of aesthetics is not only important within itself but is also important because it brings light to the faults in other branches of philosophy. [9]